As we researched the culture of the Omo People and how they viewed their bodies as art, we looked at the many patterns that were able to create. Immediately, it reminded us of Mark Bradford. In fact, our organization is a big fan of Mr. Bradford but as you look at his work and some of the photographs we are sharing below, you can see why we feel he offers an abstract take as well to these women. He is very in tune with using found objects just like these women who also use the raw materials around them.
Posts Tagged ‘Sacred Body Art of the Omo Valley’
Tags: abstract art, African American art, African art, African Burial Ground, African culture, East Africa, Ethiopia, Hans Silvester, Mark Bradford, Mark Bradford artist, Omo River, Omo Valley, photography, Sacred Body Art of the Omo Valley, Savona Bailey-McClain curator, Scherezade Garcia, Women history
Tags: Jimmy Shack Collection, Omo Valley, Sacred Body Art of the Omo Valley, Savona Bailey-McClain curator, West Harlem, West Harlem Art Fund
I was so moved by the women of the Omo Valley that I wanted to get models to photograph. I went to the MAC Cosmetics store in Harlem and they suggested that I go to their Chelsea location. I shared images from Hans Silvester and the staff was blown away. But immediately they shared how I should model. So, with their help along with the Body Shop in Harlem, I experimented. I want to thank MAC and the Body Shop for letting me enjoy this moment.
Tags: African influence, Barking Lizards, Brooklyn, ceramics work, ceramist, crosses, jewelry, Jimmy Shack, necklaces, Sacred Body Art of the Omo Valley, Savona Bailey-McClain curator, Scherezade Garcia, Williamsburg
Most common are brass, copper and bronze, while much gold was mined and used in West Africa, for example by the Akan-speaking people like the Ashanti of Ghana. This wealthy society has based its economy and artistic heritage on gold since the early eighteenth century, and highly skilled goldsmiths and jewellers have produced superb jewellery and artefacts. The royal court of Ashanti still possesses and uses vast amounts of gold jewellery. The jewelry that we are spotlighting is from Brooklyn based artist Jimmy Shack. In remaking the Omo several oieces from collections were loan to show how one can use contemporary jewelry to create this African inspired look.
Tags: abstract art, African Burial Ground, animation, Armory Week, Armory Week 2012, art in NYC, Ethiopia, Guillaume Renberg, installation art, Lower Manhattan, Omo People, Omo Valley, public art, public art in NYC, Sacred Body Art of the Omo Valley, Savona Bailey-McClain curator, Scherezade Garcia, TriBeCa
Tribal Societies, who stil follow the ancient custom of face painting, choose the colors according to the available raw materials. In ancient times, only primary and locally available colors like red, blue, yellow or white were used. Sometimes by sprinkling dust or soft bird feathers, special effects were achieved. Nowadays, most tribesmen choose to use branded paints. Painting a face is an art, perhaps the very first art, going back to the origins of human culture. Artists paint bold, mask-like designs inspired by imagery from nature, imagination or traditional masks. Unlike dance and music where the most charming modes and sweetest strains disappear before they are understood, painting captures the emotions and expressions and retains the impact for a long period. Painting is essentially a spoken and unspoken expression with the strokes of a brush.
Animation was done by filmmaker Guillaume Renberg
Born in 1966 Paris, France. Guillaume Renberg’s lifelong love of film brought him to California to study and work in the film industry. Since 1999 Guillaume has been living and working in New York City, participating in the production of major motion pictures, commercials, television, and numerous independent film projects. One of his personal passions is filming, editing and producing documentaries about the life and work of his artist friends.
Tags: Dizi, Ethiopia, Me'en, Mursi, Nyangatom, Omo National Parks, Omo River, Omo Tribes, Omo Valley, Sacred Body Art of the Omo Valley, Savona Bailey-McClain curator, Suri
The Omo River is an important river of southern Ethiopia. Its course is entirely contained within the boundaries of Ethiopia, and empties into Lake Turkana on the border with Kenya. It is the principal stream of an endorheic drainage basin ; the part that the Omo drains includes part of the western Oromia Region and the middle of the Southern Nations, Nationalities and People’s Region.
This river rises in the highlands and is a perennial river. Its course is generally to the south, however with a major bend to the west at about 7° N 37° 30′ E to about 36° E where it turns south until 5° 30′ N where it makes a large S- bend then resumes its southerly course to Lake Turkana. According to materials published by the Ethiopian Central Statistical Agency , the Omo River is 760 kilometer long.
In its course the Omo has a total fall of about 6000 ft (2,000 m), from an elevation of 7600 ft at its source to 1600 ft at lake-level, and is consequently a very rapid stream, being broken by the Kokobi and other falls, and navigable only for a short distance above where it empties into Lake Turkana, one of the lakes of the East African Rift. The Spectrum Guide to Ethiopia describes it as a popular site for white water rafting in September and October, when the river is still high from the rainy season. Its most important tributary is the Gibe River; smaller tributaries include the Wabi, Denchya, Gojeb, Muiand Usno rivers.
The Omo River formed the eastern boundaries for the former kingdoms of Janjero, and Garo. The Omo also flows past the Mago and Omo National Parks, which are known for their wildlife. Many animals live near and on the river, including hippopotamuses, crocodiles, and Bitis.
The lower valley of the Omo is currently believed by some to have been a crossroads for thousands of years as various cultures and ethnic groups migrated around the region. To this day, the people of the Lower Valley of the Omo, including the Mursi, Suri, Nyangatom, Dizi and Me’en, are studied for their diversity.
The entire Omo river basin is also important geologically and archaeologically. Several hominid fossils and archaeological localities, dating to the Pliocene and Pleistocene, have been excavated by French and American teams. Fossils belonging to the genera Australopithecine and Homo have been found at several archaeological sites, as well as tools made from quartzite, the oldest of which date back to about 2.4 million years ago. Because of this, the site was designated a UNESCO World Heritage Site in 1980.
When they were discovered it was thought that the tools may have been part of a so-called pre-Oldowan industry, even more primitive than what was found in the Olduvai Gorge. Later research has shown that the crude looks of the tools were in fact caused by very poor raw materials, and that the techniques used and the shapes permit their inclusion in the Olodwan.
Tags: African Burial Ground, African culture, African diaspora, African style, Armory Arts Week, Armory Week, Baby's breath, body art, body painting, body tattoing, East Africa, Ethiopia, Kenya, Lower Manhattan, NYC art, Omo River, Omo Valley, public art, rites of passage, Sacred Body Art of the Omo Valley, Savona Bailey-McClain curator, Scherezade Garcia, Sudan, tattoeing, TriBeCa, West Harlem Art Fund, Women history
Photo credit: Hans Silvester
The Sacred Body Art of the Omo Valley
The Omo Valley people have lived in southwestern Ethiopia and neighboring Kenya and the Sudan for centuries. The landscape of the Omo Valley is very diverse: vast savannah with mountains on the horizon, beautiful views, the arid semi-desert, acacia bushes, hills and forests on the banks of the Omo River with its deep canyons and rapids.
The Omo Valley people still practice body painting and tattooing. A garland of flowers, a veil of seed-pods, buffalo horn, a crown of melons, feathers, stems and storks all could be used to express joy or celebrate a rite of passage. The wearer can sometimes takes on the characteristic of a supernatural state.
The West Harlem Art Fund in an attempt to preserve this tradition will re-create this body art work with Scherezade Garcia, sculptor and installation artist, that will be displayed at the African Burial Ground in Lower Manhattan, along with a dedicated blog site that features other artists for Armory Week 2012.
An evening of wine tasting will be held on Friday, March 9th at Lot 125 at 7p.m. Tour and artist talk at the African Burial Ground in TriBeCa, March 10th at 2 p.m.
Lot 125 is located at 566 W. 125th Street, New York, N.Y. 10027 (212) 663-9015.
African Burial Ground, 290 Broadway (btwn Duane & Reade Sts), New York, N.Y. 10007 (212) 637-2019